![]() Therefore, focusing on a time between these two distinct phases of life could give fans of the series a better insight into Gru's character.Īdditionally, focusing on the early adulthood of Gru in a potential followup to Minions: The Rise of Gru would be an excellent way to cater to generation z audiences, who, as previously discussed, were responsible for a lot of the film's success, though not necessarily in the way that the film's creators had intended. Audiences have seen Gru as a disgruntled adult, and in the most recent film, as a child. The idea of showing classic characters during the wild period of their early adulthood has been explored before, most notably in 2013's Monster University. With that in mind, we decided to rank the songs on the soundtrack with the hope of finding what’s good, what’s bad, and what “Cecilia” covered by the Minions sounds like.RELATED: Cinemas Resort to Banning Teens Copying the #Gentleminions TikTok Trend ![]() Still, uncool didn’t stop Pharrell’s Despicable Me 2 song “Happy” from dominating the airwaves on real actual pop stations for an interminable length of time, which means we still have to take Minions music (somewhat) seriously. ![]() The entire project seems like something that sounded really cool in a boardroom. ![]() Super-producer and Taylor Swift friend Jack Antonoff “produced and curated” the album, which the press release refers to as a “sun-soaked 70’s inspired soundtrack.” It features staples of the current “famous at liberal-arts colleges but unknown to moms” scene like Phoebe Bridgers, Brockhampton, and Tame Impala plus actual ’70s artists Diana Ross and Earth, Wind & Fire member Verdine White, and it is clearly intended to provoke the reaction “Phoebe Bridgers is on a Minions album? Wow!” Yet its surface-level prestige makes it more annoying than enjoyable. The Minions: The Rise of Gru soundtrack is out, and it wants to be cool. ![]()
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